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Education
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1996
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MFA (Hanson):
The University of Illinois at Chicago |
| 1986 |
BFA (Hanson):
Nova Scotia College of Art and Design, Halifax, Canada |
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1995 |
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MFA (Sonnenberg):
The School of the Art Institute of Chicago |
| 1987 |
BFA (Sonnenberg):
Nova Scotia College of Art and Design, Halifax, Canada |
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Solo
Exhibitions
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| 2008 |
Friedrich Petzel Gallery, New York |
| 2007 |
The Suburban, Chicago, Illinois |
| 2005 |
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Store, London,
England |
| Cohan and
Leslie, New York |
| 2004 |
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Cohan and
Leslie, New York |
| 2001 |
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Cohan and
Leslie, New York |
| 2000 |
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White Columns,
New York |
1999 |
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Los Angeles
Contemporary Exhibitions (catalogue) |
1998 |
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Windows
(Jean Bernier & Tanit), Brussels |
1996 |
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Thomas Blackman
Exhibition Space, Chicago |
| 1989 |
Vinyl
Installation, Gallerie SKOL, Montreal Canada |
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| 2009 |
Arena: The Art of
Hockey - Juste Pour Rire Museum, Montreal Quebec |
| Meeting Point - Doris McCarthy Gallery, University of Toronto
(curated by Earl Miller) |
| Compass in Hand:
Selections from the Judith Rothschild Foundation Contemporary
Collection - Museum of Modern Art, New York (organized
by Christian Rattemeyer and Cornelia H. Butler) |
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| 2008 |
Arena: The Art of
Hockey - Gallery of Alberta, Edmonton |
| Contemporaries - Art Gallery of Nova Scotia, Canada |
| Accident Blackspot - Freight and Volume, New York |
| Arena: The Art of
Hockey - Art Gallery of Nova Scotia, Canada
(curated by Ray Cronin) |
| Accident Blackspot - Markus Winter, Berlin, Germany |
| The American Academy
of Arts and Letters, New York |
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| 2007 |
The Lath Picture
Show - Friedrich Petzel Gallery, New York |
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| 2006 |
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Common
Ground - Public Art Fund, New York (curated by Rochelle Steiner) |
| BAM: Next
Next Visual Art, Brooklyn, New York (curated by Dan Cameron
and Yukie Kamiya) |
| Interstate:
The American Road Trip – Socrates Sculpture Park, New
York (curated by Allyson Baker and Andrea Zittel) |
| LDN vs
NYC: Inflatable Collapsing New People, New York (curated by
Karim Hamid) |
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2005 |
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Free Trade
(video screening) - Outpost Contemporary Art, Los Angeles |
| A.B. Normal
- Nyehaus, New York (curated by Tim Nye) |
| Withdrawl
- Chez Valentin, Paris, France (curated by Joe Scanlan) |
| Much Madness
is Divinest Sense - Cohan and Leslie, New York |
| Drawings:
A-Z - Coleccao Madiera Corporate Services , Portugal (curated
by Adriano Pedrosa) |
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| 2004 |
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I feel
mysterious today - ICA, Palm Beach (curated by Dominic Molon) |
| Spacemakers
- Lothringer Dreizen, Munich, Germany (curated by Courtenay Smith/
Brett Bloom) |
| Sprawl
- Hudson Clearing, New York (curated by Emily Wei and Haan Chau) |
| Colony
- Hudson Clearing, New York (curated by Emily Wei and Haan Chau) |
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2003 |
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Game
Over - Grimm/Rosenfeld, Munich, Germany |
| Back in
Black - Cohan and Leslie, New York |
| Instant
Coffee Mediatheque - 2003 Images Festival, Toronto |
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2002 |
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Art video
Lounge - Art/Basel/Miami Beach, Miami (curated by James Rondeau) |
| Building
Structures - P.S.1/MOMA (curated by Klaus Biesenbach) |
| Home Wrecker – Good
Bad Collective, Brooklyn, NY (curated by Karl Conrad) |
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2001 |
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Promises – Contemporary
Art Gallery, Vancouver Canada, (curated by Christina Ritchie) |
| The Fifth
International – New York (curated by Michelle Maccarone
and Chivas Clems) |
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| 2000 |
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Death
Race 2000 – Thread Waxing Space, New York (curated by
Rachel Lowther) |
| New Work – Texas
Fine Art Association, Austin, TX (catalogue) |
| Drawing
2000 – Barbara Gladstone, New York (catalogue) |
| Tweak – Mercer
Union, Toronto, Canada (curated by Michael Buckland) |
| Greater
New York – P.S.1 Contemporary Art Center – organized
in collaboration with The Museum of Modern Art (catalogue/CD Rom) |
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| 1999 |
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Calendar
2000 – Bard College, Center for Curatorial Studies |
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| 1998 |
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Lo-Fi
Baroque – Thread Waxing Space, New York (catalogue) |
| Fandom – White
Columns, New York |
| World
Views (in co-operation with Creative Time) – Deutsche
Bank, New York |
| New Work – Thomas
Blackman Exhibition Space, Chicago |
| Behind
Closed Doors: Video in Interior Spaces – Museum of Contemporary
Art, Chicago |
| Limousine – Free
Parking, Toronto (catalogue) |
| Untitled – Gallery
312, Chicago |
| (Tag to
play) – The Hyde Park Art Center, Chicago |
| Group
Exhibition
– ALLGIRLS Gallery, Berlin, Germany |
| New Work – MWMWM,
Chicago |
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| 1995 |
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Youth
Culture Killed My Dog (but I don’t really mind) –
TBA, Chicago (catalogue) |
| Depends – Gallery
400, Chicago |
| A Tough
Solstice – Tough (The Uncomfortable Spaces), Chicago |
| Glom – Randolph
Street Gallery, Chicago (catalogue) |
| Visual
Arts Scholarship Exhibit – Union League Civic Arts Foundation,
Chicago |
| The
Regional Artists’ Biennial – Fort Wayne
Museum, Fort Wayne, IN (catalogue) |
| Group
Show – N.A.M.E., Chicago |
| Real Small
(Little Things) – Traveling Exhibition: Budapest, Chicago,
New York, Memphis |
| Il y a
toujours un voleur entre deux policier. – Gallery 2,
Chicago |
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| 2008 |
Ingrid Chu, Time Out New York, (Issue No. 663, August 20-26) |
| Ray Cronin, "Spotlight: Serious Play from Halifax to Brooklyn",
Canadian Art, (Summer), p. 42-46. |
| Maxwell Williams, Tokion Website, Posted May 21. |
| "Focus", Art Review, (January, Issue 18), p. 76-79. |
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| 2006 |
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Bryony
Roberts,
“Interstate: The American Road Trip”, The L Magazine,
(June), p.70. |
| Jessica
Dodell-Feder,
“Art, Parked”, Queens Chronicle, (Thurs. June
7), p. 21. |
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| 2005 |
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H.Sonnenberg
and C.Hanson, “ Dialogue: Art and Labor with Jessica Stockholder
and Joe Scanlan”, Art Journal, ( Vol. 64, no 4 Winter
2005), p. 50-70. |
| Marshall Webb,
Canadian Art, (Winter 2005, Volume 22, Number 4 ). |
| Art Review,
" Bright Young Things - New International Discoveries",
(Dec/Jan), p.100. |
| Martin Coomer,
Time Out London, (issue No. 1834, October 12-19), p.38. |
| Simon
Houpt,
"In Snow's wake a new generation of Canadian artists take Manhatten", Globe and Mail, (Wed. Oct.5), R1. |
| Martha Schwendener,
Time Out New York, (Issue No.517, August 25-31), p.61. |
| Ken
Johnson,
"Art in Review: A.B. Normal - Nyehaus", The New York
Times, (Fri. July 29), E31. |
| Earl
Miller,
"Nice Nihilism: The Art of Chris Hanson and Hendrika Sonnenberg", C Magazine (Issue 85, Spring 2005), p.32-35. |
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| 2004 |
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Scott
Rothkopf,
"Electoral Collage: A Portfolio", Art Forum,
(September), p.240. |
| Karen
Rosenberg,
"Chris Hanson and Hendrika Sonnenberg", Frieze,
Issue 84 (June), p. 141. |
| Jeffrey
Kastner,
"Chris Hanson and Hendrika Sonnenberg", Art Forum,
(May), p.211. |
| C.
Hanson and H. Sonnenberg, “Fruit Bowls and Hockey Fights”, One Star Press, Paris, France |
| Merrily
Kerr,
"Chris Hanson and Hendrika Sonnenberg", Flash Art,
No.236, (May-June), p.139-140. |
| Roberta
Smith,
"Art in Review: Colony", The New York Times,
(Fri. April 9), E37. |
| Noah Chasin,
Time Out New York, (Issue No. 442, March 18-25), p.72. |
| Ken
Johnson,
"Art in Review", The New York Times (Fri. March
19), E35. |
| Brian
Sholis,
"Critics' Pick, artforum.com. |
| Kim
Levin,
"Voice Choices", Village Voice (March 24-30),
p.86. |
| Ken
Johnson,
"Art in Review: Sprawl", The New York Times,
(Fri. Jan.23). |
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| 2003 |
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Samuele
Menin and Valentina Sansone, "Sculpture Forever - Contemporary
Sculpture (Part 1), Flash Art, No. 230, (May -June), p.122-129. |
| Sarah
Milroy,
"Next Generation", The Globe and Mail (Sat. May
10), Section 5. |
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| 2002 |
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Melanie
O’Brian,
“Promises: Espousal and Constraint”, Mix (Vol.
27 No-4 Spring 2002), p.50-51. |
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| 2001 |
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Adrian
Dannatt,
“New York Diary by Adrian Dannatt”, The Art Newspaper,
(Dec. 2001), No.120. |
| Michael
Wilson,
“Critics’ Pick”, artforum.com. |
| Roberta Smith,
The New York Times (Fri. Dec.14), E41. |
| Kim
Levin,
“Voice Choices- Short List”, Village Voice (Dec.18),
p.80. |
| Craig
Stewart,
“Promises”, Terminal City (Oct. 12-18), p.17. |
| Michael
Scott,
“Gallery lives up to Promises”, Vancouver Sun
(Nov.15-21), C4. |
| Germaine
Koh,
“Soft Design for Mushy Thought”, Mix (Winter
2001), p.24-28. |
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| 2000 |
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Massimiliano
Gioni, “New York Cut Up”, Flash Art (Jan.-
Feb.), p.67-69. |
| Ken
Johnson,
“Art in Review : Death Race 2000”, The New York
Times (Fri. Dec. 22), E46. |
| Alfred
Mac Adam, “Drawings 2000”, ARTnews (October), p.177. |
| John
Russell,
“Making Pen and Ink Seem Passe: The Proliferation of New Ways
to Draw”, The New York Times (Aug. 18), E33. |
| Klauss
Kertess,
“Drawings 2000 at Barbara Gladstone Gallery”, exhibition
catalogue. |
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| 1999 |
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Charlene
Roth,
“Hendrika Sonnenberg & Chris Hanson – LACE”, New Art Examiner (June). |
| Frances
Richard,
“The Hub and The Glitch – On Hendrika Sonnenberg and
Chris Hanson”, exhibition catalogue, Los Angeles Contemporary
Exhibitions. |
| David
Pagel,
“Art Review”, LA Times (March 3), p.F8. |
| Steve
Mumford,
“Lo-Fi Baroque”, Review (Jan. 15), p.41-42. |
| David
A. Greene,
“Rec Room”, The Village Voice (Feb. 3), p.139. |
| David
A. Greene,”Fandom”,
Frieze (January), p.84-85. |
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| 1997 |
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Roberta
Smith,
“Art in Review”, The New York Times (Fri. Nov.
14), E45. |
| Janet
Cavallero,”Mitchell
Kane, Hendrika Sonnenberg and Chris Hanson”, New Art Examiner
(Feb.), p.46-47. |
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| 1996 |
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Laurie
Palmer,
“Corey McCorkle/Chris Hanson and Hendrika Sonnenberg”,
Frieze (Summer) p.80-81. |
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| 1995 |
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Deborah
Wilk,
“Youth Culture Killed My Dog (but I don’t really mind)”,
Flash Art (Summer), p.76. |
| Joe
Scanlan,
“Youth Culture Killed My Dog (but I don’t really mind)”,
exhibition catalogue, Chicago: Thomas Blackman Exhibition Space. |
| Hamza
Walker,
“Glom”, exhibition catalogue, Chicago: Randolph Street
Gallery. |
| Terry
R. Myers,
“Regional Artists’ Biennial”, exhibition catalogue,
Fort Wayne Museum of Art. |
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2007 |
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Canada
Council
– Long Term Grant |
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| 2005 |
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Canada Council
- Mid-career Visual Artist Grant |
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1995 |
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Regional
Artists’
Biennial - Fort Wayne Museum |
| Clyde Burt
Memorial Award |
| Union
League Civic & Arts Foundation – Visual Arts Scholarship –
Chicago, IL |
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1989 |
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Canada
Council
– Exploration Grant |
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Lectures
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| 2007 |
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University
of Illinois of Chicago - Voice Lecture Series, Gallery 400 |
| Nova
Scotia College of Art and Design, Canada – lecture and
individual critiques |
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| 2006 |
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American
University, Washington D.C – Artist in Resident : lecture
and individual critiques |
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Rhode Island
of School and Design - lecture and individual critiques |
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2005 |
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Boston Museum
School - Eight Sculptors - lecture, seminar, and individual critiques |
| University
of Tennessee - lecture, seminar and individual critiques |
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2004 |
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Yale University
School of Art - Art and Labor - panel discussion, individual lecture,
critiques |
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2003 |
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Toronto International
Art Fair, Cultural Program - Negotiating Art Projects: Partners
who make art. |
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1996 |
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Art Institute
of Chicago - Visiting Artist (Graduate Program), Chicago, IL |
| Randolph Street
Gallery - Project space exhibition committee member, Chicago, IL |
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1995 |
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Museum of
Contemporary Art - Visiting lecturer, Chicago, IL |
| University
of Illinois at Chicago - Guest critic, Chicago, IL |
| Art Institute
of Chicago - Visiting Artist (Undergraduate Program), Chicago |
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Collections
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Museum
of Modern Art, New York
PS1, Brooklyn, New York
Museum of Contemporary Art, Chicago
Art Gallery of Ontario, Toronto, Canada
Foundation 2021, New York
Judith Rothschild Foundation
Peter Norton Foundation
Metropolitain Bank and Trust, Cleveland
Ernst and Young, London, England |
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| Affiliations |
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| Artist Pension Trust, New York Branch |
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